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An in-depth look at sound for the Montreal International Jazz Festival—the largest ongoing festival of its kind in the world—supplied by Meyer Sound and Solotech. |
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For My Fair Lady, a novel approach to the amplification of musical instruments using aluminum foam microphone baffles yields remarkable results, according to sound designer John Lott and veteran head of audio Walter Lawrence. |
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Should the ground lug on an XLR-type connector be connected to pin-1 or not? AES Fellow and Life Member Neil Muncy brings a historical perspective to answer this perennial question. |
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Viva Elvis uses the largest Optocore dual redundant single ring network ever installed: the 21 network devices handle 504 audio inputs and 776 outputs, controllable from multiple locations simultaneously in a client-server architecture. |
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A look at how the world's largest repertory theatre company stage-manages the changeover from a matinee production to an evening performance of two large and completely different shows. |
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Vancouver 2010 Lighting & Sound International, April 2010
In-depth coverage of lighting, projection, sound and staging at the Opening and Closing Ceremonies of the Vancouver 2010 Winter Olympics. |
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Lighting, projection and 2,000,000 watts of audio amplification bathe the gargantuan stage in BC Place for the Opening & Closing Ceremonies of the XXI Winter Olympic Games, based on extensive conversations with members of the design team. |
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A look at voice-lift and performance sound innovations designed for the fabulous new Koerner Hall at Toronto's Royal Conservatory of Music. |
Visions of Canada Lighting & Sound America, November 2009
An in-depth look at Celebrate the Canadian Dream, a spectacular sound and light show projected onto Charlottetown's historic Province House, produced and staged by Toronto's AVH Live Communications. |
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No matter how poor the natural acoustics of some concert halls, the remediation of those acoustics using electronic means has been met with cries of foul from some quarters. |
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